musik afrika

Music of Africa

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The lamellophone thumb piano or mbira, a popular instrument in southeastern Africa.

Africa is a vast continent and its regions and nations have distinct musical traditions. The music of North Africa for the most part has a different history from sub-Saharan African music traditions.^[1]
The music and dance forms of the African diaspora, includes African-American music and many Caribbean genres like soca, calypso and zouk. Latin American music genres like the flamenco, samba, rumba, salsa; and other clave (rhythm)-based genres, were founded to varying degrees on the music of African slaves, which has in turn influenced African popular music.

Contents  [hide]  1 North African music 2 Sub-Saharan music 2.1 Musical instruments 2.2 Relationship to language 2.3 Influences on African music 2.4 Influence on North American music 2.5 Popular music 3 See also 4 References 5 External links

[edit] North African music

• North Africa (red region on map below) is the seat of the Mediterranean culture, including Egypt and Carthage before being ruled successively by Greeks, Romans and Goths and then becoming the Maghreb of the Arab world. Like the musical genres of the Nile Valley and the Horn of Africa (sky-blue and dark green region on map), its music has close ties with Middle Eastern music. The music of North Africa has a considerable range, from the music of ancient Egypt to the Berber and the Tuareg music of the desert nomads. The region's art music has for centuries followed the outline of Arab and Andalusian classical music: its popular contemporary genres include the Algerian Raï.

With these may be grouped the music of Sudan and of the Horn of Africa, including the music of Eritrea, Ethiopia, Djibouti and Somalia.

[edit] Sub-Saharan music

Main articles: Sub-Saharan African music traditions and Rhythm in Sub-Saharan African music

Geo-political map of Africa divided for ethnomusicological purposes, after Alan P. Merriam, 1959.

The ethnomusicological pioneer Arthur Morris Jones (1889–1980) observed that the shared rhythmic principles of Sub-Saharan African music traditions constitute one main system.^[2] Similarly, master drummer and scholar C.K. Ladzekpo affirms the profound homogeneity of sub-Saharan African rhythmic principles.^[3]
African traditional music is frequently functional in nature. Performances may be long and often involve the participation of the audience.^[4] There are, for example, little different kinds of work songs, songs accompanying childbirth, marriage, hunting and political activities, music to ward off evil spirits and to pay respects to good spirits, the dead and the ancestors. None of this is performed outside its intended social context and much of it is associated with a particular dance. Some of it, performed by professional musicians, is sacral music or ceremonial and courtly music performed at royal courts.
Musicologically, Sub-Saharan Africa may be divided into four regions;^[2]

• The eastern region (light green regions on map) includes the music of Uganda, Kenya, Rwanda, Burundi, Tanzania, Malawi, Mozambique and Zimbabwe as well as the islands of Madagascar, the Seychelles, Mauritius and Comor. Many of these have been influenced by Arabic music and also by the music of India, Indonesia and Polynesia, though the region's indigenous musical traditions are primarily in the mainstream of the sub-Saharan Niger–Congo-speaking peoples.

• The southern region (brown region on map) includes the music of South Africa, Lesotho, Swaziland, Botswana, Namibia and Angola.

• The central region (dark blue region on map) includes the music of Chad, the Central African Republic, the Democratic Republic of the Congo and Zambia, including Pygmy music.

• West African music (yellow region on map) includes the music of Senegal and the Gambia, of Guinea and Guinea-Bissau, Sierra Leone and Liberia, of the inland plains of Mali, Niger and Burkina Faso, the coastal nations of Cote d'Ivoire, Ghana, Togo, Benin, Nigeria, Cameroon, Gabon and the Republic of the Congo as well as islands such as Sao Tome and Principe.

Southern, Central and West Africa are similarly in the broad Sub-Saharan musical tradition, but draw their ancillary influences primarily from Western Europe and North America.

[edit] Musical instruments

The talking drum or tama, a popular instrument in West Africa.

Besides using the voice, which has been developed to use various techniques such as complex hard melisma and yodel, a wide array of musical instruments are used. African musical instruments include a wide range of drums, slit gongs, rattles, double bells as well as melodic instruments like string instruments, (musical bows, different types of harps and harp-like instruments such as the Kora as well as fiddles), many kinds of xylophone and lamellophone like the mbira, and different types of wind instrument like flutes and trumpets.
Drums used in African traditional music include talking drums, bougarabou and djembe in West Africa, water drums in Central and West Africa, and the different types of ngoma drums (or engoma) in Central and Southern Africa. Other percussion instruments include many rattles and shakers, such as the kosika, rain stick, bells and wood sticks. Also, Africa has lots of other types of drums, and lots of flutes, and lots of stringed and wind instruments.

[edit] Relationship to language

Many languages spoken in Africa are tonal languages, leading to a close connection between music and language in some local cultures. These particular communities use vocal sounds and movements with their music as well. In singing, the tonal pattern or the text puts some constraints on the melodic patterns. On the other hand, in instrumental music a native speaker of a language can often perceive a text or texts in the music. This effect also forms the basis of drum languages (talking drums).^[5]

[edit] Influences on African music

Historically, several factors have influenced the tribal music of Africa. The music has been influenced by language, the environment, a variety of cultures, politics, and population movement, all of which are intermingled. Each African tribe evolved in a different area of the continent, which means that they ate different foods, faced different weather conditions, and came in contact with different tribes than other societies did. Each tribe moved at different rates and to different places than others, and thus each was influenced by different people and circumstances. Furthermore, each society did not necessarily operate under the same government, which also significantly influenced their music styles.^[6]